


"It was not just a scream, it was a blood-curdling shriek of agony. The horrifying sound cut off with a gurgle, and her eyes rolled back into her head. Her body twitched, arched in Rosalie's arms, and then Bella vomited a fountain of blood." ~ Description of Bella in labor
"Edward's lips were like a shot of some addictive chemical straight into my nervous system. I was instantly craving more. It took all my concentration to remember the baby in my arms." ~ Sample of Bella's obsession with Edward, part of many erotically charged scenes
"The traditional vampires were going as far away as possible to satiate their thirst. I tried not to think of their hunting in the night, cringing at the mental picture of their victims." ~ Bella observing vampires that she and Edward are hosting in their home, knowing they are going out to hunt and kill people
The romance/obsession between Bella and Edward continues in Meyer's fourth and final book of the Twilight Saga series. One must wonder what the big deal was with all the restraint in the first three books when, finally, Edward and Bella give in to their physical desires on their honeymoon? The restraint was never based on moral grounds to begin with, but was due to Edward's fear that in his vampire passion he would kill Bella. Bella was always pleading with Edward to give in, but now, as his wife, she has more leverage, and Edward gives in. However, she comes out of it looking like a battered wife - the description is disturbing because it is so reminiscent of such an image. But this is mild compared to what is to come.
In the first three books, Edward and his clan hunt animals in the woods
but it is not described. However, in the final book, after Bella finally
fulfills her longing to become a vampire, she hunts with Edward, and we
read about her kill of a mountain lion: "My teeth unerringly sought his
throat, and his instinctive resistance was pitifully feeble against my
strength" (422). Biting into the animal was "effortless as biting into
butter" (422). The account continues:
"The flavor was wrong, but the blood was hot and wet and it soothed the
ragged, itching thirst as I drank in an eager rush. The cat's struggles
grew more and more feeble, and his screams choked off with a gurgle. The
warmth of the blood radiated throughout my whole body, heating even my
fingertips and toes" (422-423).
By today's standards, the above may not seem disturbing. But who wants
to use today's standards as the standard? The standards for taste in all
areas of entertainment have fallen so low as to be meaningless.
Shortly after her kill of the lion, Bella remarks that it was a
"surprisingly sensual experience to observe Edward hunting," and she
notes that with his lips parted "over his gleaming teeth," as he is
about to bring down a deer, Edward is "glorious" (425). Later, they hunt
with their young daughter, Renesmee, who is so advanced that she can
join in. Somehow, the idea of a family pouncing on animals and tearing
flesh with their teeth, then drinking and draining the animal of blood
does not a wholesome picture make, but once the reader has partaken of
so many repulsive images, each succeeding illustration of this sort
makes less and less of an impact.
There is an almost-Gnostic downgrading of the human body and mind in
favor of the vampires, who are described as godlike, brilliant, angelic,
and who are immortals, like ancient gods. Once Bella becomes a vampire,
her memories as a human seem vague and indistinct, and she exults in her
ability to move so quickly that she is a blur to human eyes, that she is
powerful and strong, that she never tires, and that she can detect
multi-layers of odors no human can smell. "I was never going to get
tired . . . We didn't have to catch our breath or rest or eat or even
use the bathroom; we had no more mundane human needs" (482-483).
At the same time, vampires are slaves to their bloodlust. After
vampirehood, Bella is afraid to meet her father, Charlie, because she
worries that she cannot stop herself from attacking him. She remarks,
"Charlie smelled more delicious than anything I'd ever imagined . . .
And he was just a few feet away, leaking mouthwatering heat and moisture
into the dry air" (507). This is Bella's father!
But even more chilling, the same situation arose when Bella had her
baby, Renesmee. Her daughter was taken away after birth and she could
not see her because those around Bella feared she would attack her own
child. Indeed, Edward himself tells Bella that the greatest pleasure for
a vampire is to drink human blood.
The most gruesome situation, however, is the labor and delivery of
Bella's baby. Bella became pregnant on her honeymoon while she was still
human. Therefore, in her pregnancy, which progresses about nine times
faster than a human pregnancy, Bella, still human, is carrying a
half-human half-vampire child. Bella is not able to eat and the unborn
baby is getting malnourished. Consequently, Bella grows weaker while at
the same time suffering great pain from the rapidly growing child who is
breaking Bella's ribs, one by one. The reader is treated to these bone
snapping episodes with the verbal equivalent of a sound effect.
Edward figures out that the baby is craving blood - human blood.
Fortunately, the clan has human blood available (it is not explained
where they got the blood), and they give Bella cups of human blood. At
first, Bella is unsure about drinking it, but Bella, after the initial
tasting and ever ready to prepare herself for vampirehood, declares that
it tastes good. Bella continues to down cup after cup of human blood
(please note it is human blood) until their stock is used up, and
Carlisle has to rush out to procure more blood (maybe by robbing a blood
bank?).
The description of Bella going into labor is horrific. There is a
"ripping sound from the center of her body," a "shriek of agony," and
then Bella convulses and vomits "a fountain of blood" (347). Bella is so
spent and damaged that the baby must be taken out, so Edward uses his
teeth to rip into her flesh and gets the child out.
Bella's heart fails, and Edward plunges a syringe full of his "venom"
into Bella's heart. This begins the process of changing Bella into a
vampire. Edward continues forcing his venom into Bella by biting her all
over her body. For three days, Bella experiences an agonizing burning
through her body as she goes from human to vampire. The depiction of
these events is grisly and repugnant, and odious particulars are not
spared. (This summary pales in comparison to reading the actual account
in the book).
Jacob "imprints" on Bella and Edward's baby girl. Werewolves like Jacob
find their mate through an instinctive "knowing" of who their mate is,
and via an obsession for this person, called "imprinting." This resolves
the Bella-Jacob-Edward triangle but in a rather creepy manner. That
Jacob will one day mate with this baby and in the meantime cares for her
(it is hard for him to be apart from Renesmee and he does take care of
her in the last book), is somewhat morally repellent.
That such a tale featuring creatures with such distasteful habits and
full of so many nauseating details has been so widely praised is
baffling; and the fact that there has been little or no reference to or
warning about the abhorrent aspects of the books is even more
perplexing.
Sexual abstinence is not for moral reasons
Edward and Bella sleep together before marriage; this should be a
concern for parents of teens who read these books, even though Bella and Edward stay technically abstinent
Erotic scenes, much sexual innuendo and sexually suggestive language,
especially in Eclipse and Breaking Dawn
Thoughts of violence in Jacob's mind, which seem to comprise most of
his thinking
Bella's persistent deception and lies to her family and friends
Gruesome descriptions of Bella's labor and birth, killing of animals,
and other scenes
Edward and his clan accommodate their guest vampires who are hunting
and killing humans
Presenting humans as vastly inferior to vampires
Portraying Edward and other vampires as godlike, almost perfect beings although they either kill people and drink human blood (or have the urge to do so, as with Edward's clan)
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